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April 2017

NAB 2017

NAB 2017 is fast approaching, so if you are attending this year, make sure to stop by AbelCine’s booth #C8215! Haven’t registered yet? Visit the official NAB website and register now! NAB Show is home to the world’s largest collection of vendors driving the future of media and entertainment. From content creation to consumption, a myriad of solutions await you on the Show Floor and are organized into eight Exhibit Categories to allow for efficient exploration. Get the first look at new…


Chrosziel “First Look” Demo Day – LA

**SAVE THE DATE** Join AbelCine and Chrosziel on Friday, April 28 from 11am – 3pm to get a first look at the new gear that they debuted at NAB 2017. If you didn’t attend the show this year, or just didn’t get a chance to stop by Chrosziel’s booth, be sure to stop by our LA showroom for a chance to go hands-on with the new gear, plus get your questions answered by representatives from Chrosziel and AbelCine specialists. This…

May 2017

Understanding Color & Gamma – New York

Focusing on the theory and reality of color, this workshop covers how color and contrast are created both in our eyes and in the digital world. Topics such as color space, color gamut, sub-sampling, bit depth, luminance, and various color standards will be covered, along with a discussion of how color may differ between various camera models.


Raw, Log & Uncompressed – New York

Overview Many of today’s latest cameras offer Log & Raw recording modes, giving extended dynamic range and versatility in post. However, shooting in Log & Raw presents many challenges both in the field and in the post-production process. This class is an introduction to Log & Raw recording and its applications. Participants will be presented with technical and aesthetic implications of shooting in different Log & Raw modes, and discussions will be part theory and part practical application. We will…


Understanding Scopes – New York

This workshop covers the use of waveforms and vectorscopes on set. This workshop also demonstrates the use of many other tools used by modern digital cinematographers, including false color, zebra lines, and histograms. As part of this process, the workshop will also include a live demonstration of matching two different camera systems using scopes.


Monitor Calibration – New York

Overview To truly judge your image on set and in post, it is necessary to have a properly calibrated monitor. From a small on-camera LCD screen to large home displays, most monitors offer some form of calibration adjustment. This workshop demonstrates the methods and tools used to calibrate a monitor. Focus will be on white point adjustment, color & contrast adjustment, and the tools used to analyze a monitor. A bundle discount is available when you purchase all DIT Week…


Resolve 101 Plus with the ICA’s Warren Eagles – Los Angeles

This three-day, hands-on workshop is an excellent introduction to DaVinci Resolve 12.5. It is ideal for first time users, and you do not need to be a Colorist to attend.


LUTs 101: Theory – New York

Overview

Many of the latest camera systems offer either Log or Raw recording modes that give us the most possible information out of the camera. These features are great at keeping the original camera ‘negative’ as clean as possible, but at the same time they can leave your image on set looking very flat and boring. This is where the use of Look Up Tables (LUT) comes in, which are offsets that allow you to manipulate your image and create a look without affecting the camera originals. This workshop is split into two sections, LUTs 101: Theory & LUTs 201: Practical Application.

LUTs 101: Theory will demonstrate the process for creating a LUT for cameras like the Alexa, Sony F5 & F55, and Varicam. Specific focus is types of LUTs, LUT combinations and layering, and tools used for OnSet LUT creation.


Nokia OZO Intensive – Chicago

This one-day, intensive workshop is designed to teach attendees the basics of the Nokia OZO, including media, workflows and best practices.


LUTs 201: Practical Application – New York

Overview

Many of the latest camera systems offer either Log or Raw recording modes that give us the most possible information out of the camera. These features are great at keeping the original camera ‘negative’ as clean as possible, but at the same time they can leave your image on set looking very flat and boring. This is where the use of Look Up Tables (LUT) comes in, which are offsets that allow you to manipulate your image and create a look without affecting the camera originals. This workshop is split into two sections, LUTs 101: Theory & LUTs 201: Practical Application.

LUTs 201: Practical Application further expands on the curriculum of LUTs 101: Theory. This class explores the creative side of LUT design as well as applying LUTs in different post production applications. Working with live camera sources, this class demonstrates creating looks from various cameras. These looks will then be applied in a variety of post editing and grading applications.

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