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AbelCine, New York

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March 2017

Creating Doc-Style Content for Brands Workshop – New York

This three-day hands-on workshop focuses on how to create doc-style content for brands across platforms like the web, social media, and print. Over the course of the three days this workshop will feature industry speakers, case studies, and workflow guidelines, plus collaborative exercises in creative treatment / story-boarding, budgeting, and production. You will gain important presentation and marketing skills such as: creating a reel, connecting with clients, maintaining client relationships, creative pitches, and selling an idea. This workshop is led by Elettra…


Resolve for DPs – New York

While DaVinci Resolve is a widely accepted tool for color correction or finishing, it has also proven to be an invaluable application for on-set and near set use. With powerful tools for building and applying LUTs, as well as flexible transcoding options, Resolve is an important tool for every cinematographer to understand. This class will focus on working with log or raw footage within Resolve, with an emphasis on processing footage for dailies and general deliverables. We’ll explore batch processing…


Small Crew Production 101 – New York

Today, more and more companies are building in-house production teams to create ongoing content for their products and services. Generally, this lends itself to creating smaller crews. Additionally, corporate video production companies have changed in terms of structure and their resources. While the equipment has gotten better and less expensive, the crews have gotten smaller. With this new production landscape in mind, this full day workshop will focus on small, to no crew, corporate video production. This workshop is led…

April 2017

MōVI Intensive Workshop – New York

AbelCine offers the only Freefly-certified MōVI Workshop, which is a two-day course designed to fully immerse an experienced camera operator in all of the knowledge necessary to use the Freefly MōVI. Factory-trained AbelCine instructors will discuss and demonstrate the technical aspects as well as the craft and philosophy behind the MōVI system. Class size will be limited to ensure a maximum of three students to each MōVI M5 or M10.


In-Depth: Canon C300 Mark II – New York

This in-depth, hands-on workshop teaches participants the skills need to operate the Canon C300 Mark II / C500 cameras. Designed for working professionals, as well as those who are looking to enter the field, the course gives detailed instruction on camera set up, operation and workflows. By the end of the two-days, attendees will have gained comprehensive knowledge of the C300 / C500 and the confidence to operate the camera in a variety of production scenarios.


Sony FS5 Intensive Workshop – New York

The Sony FS5 Intensive is a one-day workshop that teaches the operation of this camera, including how to acquire images in all of its recording formats. Particular attention will be paid to production and post-production workflows using Log. Attributes of picture profiles will be discussed, as will the ability to capture raw images, which is coming in a future firmware update. Lens options, signal output, and internal and external recording will also be covered. Camera owners who made their purchase…


Creating Popular Color Grading Looks with the ICA – New York

AbelCine has partnered with the International Colorist Academy (ICA) to offer this advanced workshop for working colorists. In this practical, two-day workshop, participants will work with frequently requested grading styles and looks. The workshop will cover how to achieve these looks, as well as a discussion of the cultural meanings or concepts they impart to a project. The goal is to achieve new looks from old techniques. The workshop begins with a presentation of standard looks from a historical perspective.…


ACES, UHD, HDR and WCG for Colorists – New York

This is a new class designed to introduce new workflows how to grade for them. Ideal for colorists and industry professionals that will encounter ACES, High Dynamic Range (HDR including Dolby Vision), UHD, Rec 2020 and wide color gamut. We look at how grades and looks are affected by these new developments and which tools are most useful to achieve bigger better color. The course content is not system specific but there will be practical sessions and demonstrations using Nucoda…

May 2017

Understanding Color & Gamma – New York

Focusing on the theory and reality of color, this workshop covers how color and contrast are created both in our eyes and in the digital world. Topics such as color space, color gamut, sub-sampling, bit depth, luminance, and various color standards will be covered, along with a discussion of how color may differ between various camera models.


Raw, Log & Uncompressed – New York

Overview Many of today’s latest cameras offer Log & Raw recording modes, giving extended dynamic range and versatility in post. However, shooting in Log & Raw presents many challenges both in the field and in the post-production process. This class is an introduction to Log & Raw recording and its applications. Participants will be presented with technical and aesthetic implications of shooting in different Log & Raw modes, and discussions will be part theory and part practical application. We will…


Understanding Scopes – New York

This workshop covers the use of waveforms and vectorscopes on set. This workshop also demonstrates the use of many other tools used by modern digital cinematographers, including false color, zebra lines, and histograms. As part of this process, the workshop will also include a live demonstration of matching two different camera systems using scopes.


Monitor Calibration – New York

Overview To truly judge your image on set and in post, it is necessary to have a properly calibrated monitor. From a small on-camera LCD screen to large home displays, most monitors offer some form of calibration adjustment. This workshop demonstrates the methods and tools used to calibrate a monitor. Focus will be on white point adjustment, color & contrast adjustment, and the tools used to analyze a monitor. A bundle discount is available when you purchase all DIT Week…


LUTs 101: Theory – New York

Overview

Many of the latest camera systems offer either Log or Raw recording modes that give us the most possible information out of the camera. These features are great at keeping the original camera ‘negative’ as clean as possible, but at the same time they can leave your image on set looking very flat and boring. This is where the use of Look Up Tables (LUT) comes in, which are offsets that allow you to manipulate your image and create a look without affecting the camera originals. This workshop is split into two sections, LUTs 101: Theory & LUTs 201: Practical Application.

LUTs 101: Theory will demonstrate the process for creating a LUT for cameras like the Alexa, Sony F5 & F55, and Varicam. Specific focus is types of LUTs, LUT combinations and layering, and tools used for OnSet LUT creation.


LUTs 201: Practical Application – New York

Overview

Many of the latest camera systems offer either Log or Raw recording modes that give us the most possible information out of the camera. These features are great at keeping the original camera ‘negative’ as clean as possible, but at the same time they can leave your image on set looking very flat and boring. This is where the use of Look Up Tables (LUT) comes in, which are offsets that allow you to manipulate your image and create a look without affecting the camera originals. This workshop is split into two sections, LUTs 101: Theory & LUTs 201: Practical Application.

LUTs 201: Practical Application further expands on the curriculum of LUTs 101: Theory. This class explores the creative side of LUT design as well as applying LUTs in different post production applications. Working with live camera sources, this class demonstrates creating looks from various cameras. These looks will then be applied in a variety of post editing and grading applications.


REDucation – New York

Overview

REDucation is a 3-day workshop focused on hands-on learning with RED Digital Cinema camera packages (EPIC and DRAGON). Attendees will learn all about camera operation, the science of RED cameras, REDCINE-X software, and workflows. Each day participants will work in small groups to learn, shoot and review 4K footage on the big screen.

All REDucation workshops start at 9:00 am and end at 5:00 pm for each day.


Color Managed Workflow for Film and TV Productions – New York

The Color Managed Workflow for Film and TV Productions workshop is designed to look at the process of color management in modern digital film production, from the capturing of motion pictures as digital images to the final delivery of digital master files. While in the traditional, linear production process, color grading was left until the end of post-production, a newly emerging approach is challenging this view. Color management establishes and maintains the desired look for a production throughout the production process: from on-set monitoring, editorial and…


Phantom Veo/Flex/4K/Miro/ Intensive Workshop – New York

This two-day course is an intensive, hands-on class designed to train a technically oriented Filmmaker, Digital Imaging Technician or Camera Assistant to the level of operating a Phantom 2K Flex, Flex4K, Phantom Miro, or Phantom Veo in the field as a Phantom Technician. Upon course completion, attendees will be added to AbelCine’s online Phantom Tech List. AbelCine Workshop Certificate Attendees who complete AbelCine’s Phantom Intensive workshop will receive a Certificate of Completion from AbelCine.. This comprehensive workshop is designed to give attendees a…

August 2017

REDucation – New York

Overview

REDucation is a 3-day workshop focused on hands-on learning with RED Digital Cinema camera packages (EPIC and DRAGON). Attendees will learn all about camera operation, the science of RED cameras, REDCINE-X software, and workflows. Each day participants will work in small groups to learn, shoot and review 4K footage on the big screen.

All REDucation workshops start at 9:00 am and end at 5:00 pm for each day.


Resolve Color Grading for Feature Films Masterclass with the ICA – New York

AbelCine has partnered with the International Colorist Academy (ICA) to offer this workshop on Color Grading for Feature Films. In this two-day, hands-on workshop, participants will work on a theatrically released feature film project that was shot on a RED Epic using anamorphic lenses. Participants will gain experience by taking the film from preparation for grading through to the final deliverables. Besides color grading, attendees will also get an extensive look at the new features in DaVinci Resolve 12 for…


Color Managed Workflow for Film and TV Productions – New York

The Color Managed Workflow for Film and TV Productions workshop is designed to look at the process of color management in modern digital film production, from the capturing of motion pictures as digital images to the final delivery of digital master files. While in the traditional, linear production process, color grading was left until the end of post-production, a newly emerging approach is challenging this view. Color management establishes and maintains the desired look for a production throughout the production process: from on-set monitoring, editorial and…

October 2017

REDucation – New York

Overview

REDucation is a 3-day workshop focused on hands-on learning with RED Digital Cinema camera packages (EPIC and DRAGON). Attendees will learn all about camera operation, the science of RED cameras, REDCINE-X software, and workflows. Each day participants will work in small groups to learn, shoot and review 4K footage on the big screen.

All REDucation workshops start at 9:00 am and end at 5:00 pm for each day.

November 2017

Resolve Color Grading for Commercials Masterclass with the ICA – New York

This Masterclass is designed for industry professionals as a preparation and training program for employment inside high-end Commercials Colour Grading facility. In this course the participants will focus on a fashion brand commercial released internationally on multiple platform: TV, online, outdoors and in-store. We will look at the commercial from preparation for grading through to the final deliverables for multiple platforms. Apart from the obvious colour grading work we will also take an extensive look at the new features in Resolve V12 for VFX, compositing and mastering from a commercial perspective.


Color Managed Workflow for Film and TV Productions – New York

The Color Managed Workflow for Film and TV Productions workshop is designed to look at the process of color management in modern digital film production, from the capturing of motion pictures as digital images to the final delivery of digital master files. While in the traditional, linear production process, color grading was left until the end of post-production, a newly emerging approach is challenging this view. Color management establishes and maintains the desired look for a production throughout the production process: from on-set monitoring, editorial and…

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